Ebook Touching Feeling: Affect, Pedagogy, Performativity (Series Q), by Eve Kosofsky Sedgwick

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Touching Feeling: Affect, Pedagogy, Performativity (Series Q), by Eve Kosofsky Sedgwick

Ebook Touching Feeling: Affect, Pedagogy, Performativity (Series Q), by Eve Kosofsky Sedgwick

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Pressestimmen

"Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech--aesthetic, bodily, affective--is its real topic."--Lauren Berlant, author of The Queen of America Goes to Washington City"Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure."--Wayne Koestenbaum, author of Andy Warhol"[Sedgwick's] ideas about the structures of desire between men in fiction have generated critical work for others, as her theories are put to work in rereadings of authors, texts, genres and periods. Any critic who so successfully challenges the fundamental terms of the discipline, and opens up new subjects for others to write and publish about, deserves fame and distinction. Moreover, Sedgwick's courage in speaking openly about her illness and about aspects of her self that most academic women would keep private, including being fat, is very moving."--Elaine Showalter "London Review of Books ""[Sedgwick's] miraculous prose keeps ideas and attitudes in play that would collapse into contradiction or program in a lesser writer. . . . In the era of queer theory, Sedgwick's miraculating writing keeps open a sense of sexuality as not binarized, neither only instrumental nor irreducibly conflictual, even when she is most passionately engaged in the work of advocacy. Today, writing through and after "queer" in a landscape of political impoverishment, Sedgwick's thought and writing function, as she would say, as a kind of semaphore: There is More Than This. I think we need her writing more than ever."--Christopher Nealon "American Literature ""Fearless, challenging and occasionally exhilarating, Sedgwick remains one of the most courageous critics around."--Publishers Weekly"Fifteen years after publication, and nine years after the death of its author, Touching Feeling stands out. Eve Kosofsky Sedgwick's book defined subjects, keywords, and literary-critical ambitions that dominated discussion in English departments thereafter. Whether she set the future on this path or was superbly in tune with the contemporary mood is unclear."-- (10/31/2018)

Synopsis

A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in "Touching Feeling", her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes sombre, often high-spirited, and always accessible and moving, "Touching Feeling" interrogates - through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others - emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals?Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.

Alle Produktbeschreibungen

Produktinformation

Taschenbuch: 208 Seiten

Verlag: Duke University Press (1. August 2006)

Sprache: Englisch

ISBN-10: 0822330156

ISBN-13: 978-0822330158

Größe und/oder Gewicht:

15,9 x 1,9 x 22,9 cm

Durchschnittliche Kundenbewertung:

5.0 von 5 Sternen

1 Kundenrezension

Amazon Bestseller-Rang:

Nr. 175.808 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

von kaum einer aufsatzsammlung wurde ich als kulturwissenschaftler_in so sehr beeinflusst wie von eve sedgwick kosofskys essays in diesem buch. in erster linie ziele ich dabei auf ihre zuweilen messerscharfe kritik an den immer noch sehr gängigen praktiken der kritischen theorie innerhalb der westlichen akademischen welt ab, welche die autorin einst im rahmen ihrer queer theory zu großen teilen mitgeprägt hat. von paranoiden interpretationsmustern, der rigiden struktur poststrukturalistischer (!) und dekonstruktivistischer praktiken, hin zu antibiologismus-reflexen, schonungslos und in sehr bissiger art und weise versucht sich die autorin darin, die engpässe und selbstgefälligkeiten eingefahrerer literatur- und kulturtheoretischer ansätze aufzudecken, deren wissensanspruch und politischen kampf für "soziale gerechtigkeit" sie des öfteren mehr als in frage stellt. ich empfehle dieses buch auch denjenigen, die sich nicht für tomkinsche affekt-theorie oder den "affektiven turn" innerhalb der wissenschaften interessieren, sondern insbesondere denen, deren wissenschaftstheoretische ausbildung und forschungen sich um namen wie foucault, butler, kristeva, etc. drehte bzw. weiterhin drehen.

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